The word miniature (Negargari) comes from “minimum natural” meaning small and delicate art in nature. Iranian Painting style in Miniature was popular in the middle ages. It was special to the East, particularly Iran and mostly created during 15th Century.
Iranian Painting style in Miniature follows certain rules of painting landscape and usually does not observe natural proportions. The painted objects do not resemble their real world image. They are mostly quite small, but they show rich, complex scenes that attract any viewer for a long period of time.
Color is simply a decorative tool and details are very important. The magnificence of precious original Persian works has endowed them universal popularity in most of the prominent centers round the world such as embassies and consulates.
Iranian researchist are unwilling to use the word miniature, that customary is used for all works of art of miniature size. Iranian researchist, instead, choose the word Negareh, that back to the style more than the size of a painting.
It was fact that History of Persian Painting in miniatures have so long charmed and extraordinary the world which it has been greatly supposed that Persian talent for painting found its only expression in this subtle and exquisite art.
The walls of the locations of Cyrus and Darius were luxuious ornamented with polychrome faience, a lots of example are existence, while the more fragile mural painting,that was maybe employed to some extent.
Accordingly, we also attempt to present you with artifacts created by some of the greatest Persian miniature painters in SERMEH website.
Amir Tahmasbi is The professional Persian painter who is learn Miniature (Negargari) by Mohammad Bagher Aghamiri since he was just a child .
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